FILM PROFILES FOR LIGHTROOM AND CAMERA RAW

Lumenary Vision builds film profiles from real 35mm film, shot and scanned in-house.

Six film stocks at six exposures, from −2 to +3 EV, each calibrated with 140 color patches.

4.9 from 263 reviews
A busy street crossing, edited with the Kodacolor 100 film profile at +3 EV
Adobe StandardKodacolor 100 · +3 EVKodacolor 100 · +3 EV
SAME RAW FILE · ADOBE STANDARD AND KODACOLOR 100 AT +3 EVSAME RAW FILE · ADOBE STANDARD AND KODACOLOR 100 AT +3 EV
  • 6 film stocksEach one shot on real 35mm rolls and scanned on a Fujifilm Frontier SP-500.
  • 6 exposures per film stockFrom −2 to +3 EV. Every exposure is measured on its own chart.
  • 320 camera modelsSupported by the Professional version. The Standard version works with every camera.
  • Lightroom and Camera RawLightroom Classic, Lightroom and Photoshop. Capture One is coming soon.

02The six film stocks

Each of the six film stocks is shown on the same RAW file, before and after.

Pick a film stock, then drag the handle. Each scene is one photo, before and after.

Kodacolor 100, the same RAW file after
BeforeKodacolor 100

Kodacolor 100 · same RAW file, before and after

The color strip shows six chart patches measured from the film scan at 0 EV: light skin, orange, red, foliage, blue sky and neutral gray.

Try two film stocks free on your own photos

03Six exposures

Every film stock comes with six exposures, from −2 to +3 EV.

Each variant carries the color of the film at that exposure, measured from its own chart. Pick one and watch the same portrait change.

UltraMax 400 film profile at −2 EVUltraMax 400 film profile at −1 EVUltraMax 400 film profile at 0 EVUltraMax 400 film profile at +1 EVUltraMax 400 film profile at +2 EVUltraMax 400 film profile at +3 EV
ULTRAMAX 400 · THE SAME PORTRAIT AT SIX EXPOSURES
Choose an exposure

Top row: the light skin patch of the color chart. Bottom row: the dark skin patch. Both are measured from the UltraMax 400 film scan at each exposure.

What changes
Below 0 EV skin gets denser and warmer, the way underexposed film scans do. Above 0 EV it gets paler and softer, like an overexposed negative.
What stays the same
The brightness is compensated. Switching from 0 EV to +2 EV changes the color of your photo, not its exposure, so your own exposure setting stays in charge.
How to choose
Start at 0 EV. Step down for more density and warmth, step up for a lighter, softer look, and keep the variant that fits the light in your photo.

04From film to profile

I measure every film stock myself, on my own Frontier SP-500.

Every profile starts as real film. These are the four steps from the roll to your RAW file.

  1. Rolls for the calibration shoot

    It starts with 35mm rolls

    Every film stock in this edition was shot on real 35mm rolls for the calibration shoot.

  2. The set-up for the chart shoot

    Charts at six exposures

    I shoot calibrated charts on every film stock at six exposures, from −2 to +3 EV.

  3. The Fujifilm Frontier SP-500

    Scanned on my own Frontier

    Every frame is scanned on my own Fujifilm Frontier SP-500, with no extra color grading.

  4. Gold 200 chart scan at 0 EV

    Fitted by my own software

    My software measures around 140 color fields per scan and fits the profile to those numbers.

Sebastian with the calibration charts

Who I am

Hi, I'm Sebastian, and I shoot film

I studied photography at HSBI in Germany and have shot more than 400 rolls of film.

A preset moves your sliders, while a film profile adds the film's color response at the end of your edit.

Presets modify slider settings you can already access. The film's color response is baked at the end of your edit, so your sliders stay at zero and your own edit stays fully yours.

  1. RAW fileWhat your camera recorded
  2. Camera profileAdobe Standard or AVS Base Neutral
  3. A preset works hereYour editWhite balance, exposure, curves, HSL, color grading
  4. A film profile works hereFilm profileApplied after all your sliders
  5. Masks and effectsLocal adjustments, vignette and grain

Whatever you change in your edit flows into the film profile, so the full dynamic range of your RAW file stays available.

05Your camera

The Professional version supports 320 camera models.

Both versions are included. Standard works with every camera in Camera Raw. Professional adds a neutral camera profile for your camera model, so a film stock looks the same from one camera to the next.

Standard and Professional version compared
StandardProfessional
Built onAdobe StandardAVS Base Neutral
CamerasEvery camera in Camera Raw320 models
FilesRAW and JPEGRAW only
Same look across camera brandsnoyes
Best forQuick edits and cameras not on the listMixed camera bodies and consistent series

AVS Lab Tech picks Professional automatically when your camera is supported and the camera profile is installed.

      See all supported cameras

      06Verified reviews

      Every review here is quoted word for word.

      These are published reviews from buyers. Camera and genre are their own answers.

      4.9 263 reviews of the Essential Edition
        I'm enjoying these profiles more than any presets I've bought. They feel more broadly useful. I'm a hobbyist who does not enjoy editing so I'm looking for a way to process my photos more quickly - this is helpful.
        Casey K.Fujifilm, Nikon · Travel & LandscapeVerified buyer
        It’s rare to find profiles that respect the natural colors of a landscape while elevated portraits so effortlessly. These don't rely on heavy, contrasty gimmicks; instead, they provide a perfect, timeless foundation that makes skin tones look amazing and greens/earth tones blend seamlessly. A phenomenal solo project that beats out many massive preset brands.
        NathanielCanon · Portrait & EditorialVerified buyer
        The profiles and toolkit give a solid starting background. I love it to quickly complement iPhone photos to photos taken on other cameras of same event to provide more cohesive gallery.
        JOEYVerified buyer
        Very impressed with these profiles. I shoot a lot of film for personal projects, but for cost and practical reasons mostly shoot digital for commercial work and casual photography. It's great to be able to achieve a very convincing film look with the conveniences of digital. …
        NeilCanon · Architecture & InteriorVerified buyer
        Purchased this pack for the profiles but the workflow tools and lab tech plugin are where Im impressed. Great functionality with subtle accurate shifts.
        Matt S.Fujifilm · Travel & LandscapeVerified buyer
        Absolutely loving the profiles and the colors they're producing. Sebastian is a great help and has answered any questions I had in regard to the workflow as well. …
        Joseph D.Sony · MixedVerified buyer
        … I am really happy with both the tools and profiles and think they are great value for money, there are a lot of options within the pack. I would recommend!
        Rachel K.Sony · Portrait & EditorialVerified buyer
        Worked great in clean light to match my film. I had to do more tweaking to get my film to match when working in more challenging conditions but that is to be expected. Overall I have enjoyed working with these.
        TheoNikon, Fujifilm · Wedding & EventVerified buyer
        I am so skeptical to buy into products that market towards achieving a specific end goal (especially in the saturated market of film-like presets/profiles) but this is the real deal. ... This is a WORTHY tool to invest into.
        Rowan W.Leica · Wedding & EventVerified buyer
        Read all reviews

        07The Essential Edition

        ANALOG VISION STUDIO V2 – Essential Edition

        Six film stocks, one price.

        €89

        • Six film stocks, six exposures each
        • Standard and Professional version, with camera profiles for 320 models
        • Workflow Presets and the AVS Lab Tech plugin
        • Lightroom Classic, Lightroom and Photoshop. Capture One is coming soon.
        See the Essential Edition

        Instant download · Lifetime access

        OR TRY IT FIRST

        Two film stocks are free to try.

        Kodacolor 100 and Vision 3 250D at 0 EV, in the Standard version. Enter your email and I'll send you the download.

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